Dance Sensation! is a dance simulation game for Wii designed primarily for girls in which players can bring their passion for dancing into the game as they explore new styles, learn new steps and put their rhythm to the test. The game features four genres of dance Hip-Hop, Jazz, Ballet and Latin as well as 40 real and progressively more difficult dance steps. Additional features include extensive customization, licensed music tracks by popular artists, two-player support in multiple modes and Wii MotionPlus support.

This comprehensive reference features all the major audio software: SONAR XL; Cubase SX; Logic Audio Platinum; Digital Performer; Nuendo; Pro Tools; Peak; Spark XL; SonicWorx; Audition (Cool Edit Pro); WaveLab; Sound Forge. If you need advice on which systems to purchase, which are most suitable for particular projects, and on moving between platforms mid-project, this book should be your one-stop reference. Mike Collins is a trainer and consultant who has been tackling these issues for years and his expert advice will save you time and money.Each section covers a specific system, providing a handy overview of its key features and benefits, including help with setup. “Hints” and “Tips” appear throughout these sections, addressing issues such as how to record drum loops using a virtual drum-machine, recording basslines and keyboard pads using virtual synthesizers, and adding strings, brass or other instruments using virtual samplers. Mike then illustrates how to convert these MIDI recordings into audio tracks to mix alongside vocals, guitars and any other real instruments. The many short tutorials provide both a source of comparison and means to get up to speed fast on any given software.Mike Collins is a music technology consultant and writer who has been making music in London’s recording studios variously as a MIDI programmer, session musician, recording engineer, producer and arranger since 1981. He offers freelance Pro Tools engineering, consultancy, troubleshooting and personal tuition, as well as presenting seminars and lectures on related music technology and audio recording topics. Mike has written over 500 articles for magazines such as Macworld (UK), Pro Sound News Europe, Sound on Sound and AudioMedia, and for Electronic Musician and MIX in the USA.Mike’s wide-ranging career and experience enables him to bring excellent insight from all sides into his writing, from technical detail to creative expression. Starting out as a musician and club DJ in the 1970′s, Mike moved into professional recording in the 1980′s, initially as a Songwriter/Producer for EMI Records. Later he worked as a Songwriter for Chappell Music; as a Film Sound Consultant for Dolby Labs; as a Music Producer for TV recordings; and as Senior Recording Engineer and Music Technology Specialist at Yamaha’s London R & D Studio. Throughout the 1990′s Mike worked as a MIDI Programmer on records, films and music tours with bands such as the Shamen and film composers such as Ryuichi Sakamoto and David Arnold. Mike was Executive Consultant to Re-Pro (The Guild of Record Producers and Engineers) between 1996 and 1999 and Technical Consultant to the Music Producers Guild (MPG), contributing to the Education Group and organising and presenting Technical Seminars between 1999 and 2002. He has a BSc in Electroacoustics and an MSc in Music Information Technology.* A unique, colour-illustrated source of comparison between rival systems to help you determine future purchases or upgrades* Packed with tutorials and no-nonsense advice including help with moving your projects more easily from one system to another* Written by an experienced specialist who has spent many hours comparing the products available – so you don’t have to!

From the first recording to the final mix, audio editors will find this book an invaluable guide to producing the best-sounding audio tracks. Besides covering the fundamentals of installation and optimization, basic audio concepts, and the major features of the application, Using Audition presents specifics of each function with screen shots and practical examples. Readers learn how to reduce noise in their recordings, use loops and effects to create tracks, analyze and interpret vital statistics, mix and export sound files, and take advantage of shortcuts and Adobe workflow integration methods to speed their production. From the first recording to the final mix or encode, this guide to Audition delivers the working knowledge you need to master the aural aspects of your project.