A spiritual and scientific surf quest, West of Jesus tracks a contemporary surfing myth and looks at the neuroscience that connects spirituality and high risk sport. After spending two years in bed with Lyme disease, Steven Kotler had lost everything: his health, his job, his girl, and, he was beginning to suspect, his mind. Kotler, not a religious man, suddenly found himself drawn to the sport of surfing as if it were the cornerstone of a new faith. Why, he wondered, when there was nothing left to believe in, could he begin to believe in something as unlikely as surfing. What was belief anyway? How did it work in the body, the brain, our culture, and human history? Into this mix came a strange story. In 2003, on a surf trip through Mexico, Kotler heard of ?the conductor,? a mythical surfer who could control the weather. He’d heard this same tale eight years earlier, in Indonesia, but this time something clicked. With the help of everyone from rebel surfers to rocket scientists, Kotler undertakes a three year globetrotting quest for the origins of this legend. The results are a startling mix of big waves and bigger ideas: a surfer’s journey into the biological underpinnings of belief itself. Steven Kotler’s novel The Angle Quickest for Flight was a San Francisco Chronicle bestseller and won the William L. Crawford IAFA Fantasy Award. His nonfiction has appeared in the New York Times Magazine, GQ, Discover, Outside, Details, Wired, Men’s Journal and elsewhere. He lives in Los Angeles, California. Steven Kotler almost drowned when he got caught on the wrong side of a wave in Mexico. As he emerged from the water, battered and torn, a fellow surfer told him, “It looks like the Conductor had his way with you.” This was the second time Kotler had heard of this “Conductor”?the mythical surfer who controls the weather and the waves. Strangely, it was nearly a decade earlier in Indonesia that he was introduced to this mysterious troublemaker for the first time. He almost drowned that time, too. After suffering from Lyme disease for two years, Kotler loses the perfect job, the perfect girl and much of what had been the perfect life. With nothing of any meaning left to him, Kotler sets out to surf around the world in search of the Conductor. As he regains his strength, he begins to have mystical experiences, not unlike those hinted at in the Conductor’s myth. In spite of being a committed skeptic, Kotler had out-of-body experiences, felt time stoppages, had moments of ecstasy. Could this be standard neurochemistry triggered by flashes of adrenaline and other brain chemicals? Was he achieving some kind of transcendence? Or was he just losing his mind? In West of Jesus, Steven Kotler starts out on an admittedly mad quest and ends up at the peculiar intersection of neuroscience, spirituality and sport. The results are a startling mix of big waves and bigger ideas: a surfer’s journey into the biology of belief. “A wonderful and engaging book, West of Jesus provides a unique window into the neuroscience of belief. Woven into an enthralling surf narrative, Kotler’s quest will appeal to anyone interested in understanding the connection between science, sport and spirituality.”?Dr. Andrew Newberg, director of clinical nuclear medicine, University of Pennsylvania, and author of Why God Won’t Go Away “Steven Kotler’s struggle with Lyme disease leads him on a journey, on a surf trip of sorts, where stories of a Conductor who can control the weather and the waves lead inexorably to a place where physics and metaphysics converge. Here is a strangely exciting tale of coincidence and serendipity sub-populated with shamans, Tibetan White Buddhists and kahunas at the intersection of Stoke and Karma. The Surf Quest, for Kotler, is experienced as a disturbingly real search for the Holy Grail.”?Drew Kampion, author of The Way of the Surfer and The Lost Coast”Laying to rest the myth of the illiterate beach boy, Kotler’s absorbing book speaks to the kind of surfer/reader I’ve always known: intelligent, complex, curious, spiritually inclined, extraordinary. An unexpectedly moving treat, West of Jesus is just plain wonderful.”?Joy Nicholson, author of The Tribes of Palos Verdes and The Road to Esmeralda “After surviving a battle with Lyme disease, Kotler finds himself searching for a reason to live and turns to his love of surfing. The novelist and journalist travels to Mexico, where he hears a story about a magical being called ‘the Conductor,’ who controls the surf. Having heard the same tale eight years earlier while surfing in Indonesia, Kotler decides to seek out the legend’s source while researching the inherent mysticism of surfers and their sport. Detailing his journey and findings, Kotler creates a work that combines the most compelling elements of memoir, travelogue and scholarly abstract into an accessible tale of physical and mental adventure. Up for anything, Kotler seeks out big waves, bungee jumping and a risky helicopter ride. He also delves into far-flung topics: surfing’s history, Joseph Campbell’s work on myths, Jungian psychology, Zen Buddhism, government ‘weather modification’ experiments and the religious beliefs of islanders like the Maori and Hawaiians. The book reaches its peak when Kotler focuses on the inner workings of the human brain. His reasoning of how genetic and biological factors combine with physical and emotional experiences to create the spiritual ‘funkytown’ feeling unique to surfing is both enlightening and inspirational.”?Publishers Weekly

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Boosting the bass guitar, blending the vocals, overdubbing percussion while fretting over shoot-outs in the street. Grumbling about a producer, teasing a white engineer, challenging an artist to feel his African beat. Sound of Africa! is a riveting account of the production of a mbaqanga album in a state-of-the-art recording studio in Johannesburg. Made popular internationally by Mahlathini and the Mahotella Queens, mbaqanga’s distinctive style features a bass solo voice and soaring harmonies of a female frontline over electric guitar, bass, keyboard, and drumset. Louise Meintjes chronicles the recording and mixing of an album by Izintombi Zesimanje, historically the rival group of the Mahotella Queens. Set in the early 1990s during South Africa’s tumultuous transition from apartheid to democratic rule, Sound of Africa! offers a rare portrait of the music recording process. It tracks the nuanced interplay among South African state controls, the music industry’s transnational drive, and the mbaqanga artists’ struggles for political, professional, and personal voice. Focusing on the ways artists, producers, and sound engineers collaborate in the studio control room, Meintjes reveals not only how particular mbaqanga sounds are shaped technically, but also how egos and artistic sensibilities and race and ethnicity influence the mix. She analyzes how the turbulent identity politics surrounding Zulu ethnic nationalism impacted mbaqanga artists’ decisions in and out of the studio. Conversely, she explores how the global consumption of Afropop and African images fed back into mbaqanga during the recording process. Meintjes is especially attentive to the ways the emotive qualities of timbre (sound quality or tone color) forge complex connections between aesthetic practices and political ideology. Vivid photos by the internationally renowned photographer TJ Lemon further dramatize Meintjes’ ethnography.